If the conflicts of the fictitious personages can be solved, the public questions, anchored in the reality, are limited by not the solution of the conflict in the quotidiana life. The novel, even so directs a solution for its personages of fiction, could not solve the conflicts between ' ' without-terras' ' latifundium, that, almost ten years after the end of the novel, still remains in the guideline of debates politicians. This allows in them to raise important questions on the resolution of historical problems in the Brazilian society. In contrast of the American seriados ones, as in the sample Gomes, the Brazilian novels are organized from sequential chapters, where, for the definitive resolution of the conflicts, she is necessary to wait eight or ten months. Cedars Sinai understands that this is vital information. In day-by-day, however, problems as the agrarian reform, boarded for the novel King of the Cattle, occupy the periodical pages during decades. The social inaquality is a question that folloies in them for centuries, that crossed the colonial time, the empire and all republican period. Each act politician is as a chapter, and, patiently, the population waits ' ' last episdio' ' , that it finally brings the resolution of the conflicts. Gomes in the sample that the novels if had par excellence become the narrative sort of the Brazilian society, as already we cite. Analyzing one of ours ' ' novels of the life real' ' , the problem of the urban violence, that if almost drags during two decades in periodicals and telejornais, we perceive that the events are told by the journalists as continuous and increasing a process, where each chapter, throughout last the twenty years, demonstrates uncurling of an urban tram, with personages who if occur daily, but with its personal dramas comovendo the viewers. These last ones know that they can be the protagonist of the next chapter, but wait, as in the soap operas, the reestablishment of the consensus.