Is hour to erase stars, to keep the moon, to disassemble the sun shining, to pour the sea, to play except the forests, therefore nothing it has to give certain doravante.’ ‘). It is clearly, therefore, that the loved one made a poem species to that loved, that he is died (‘ ‘ … it morreu.’ ‘). Differently of what she occurs in Poem and Escape in Lesser Reverse speed, where the person deceased is proper I-lyric (‘ ‘ My mother arrived it me and said is, to my held me grandfather of the picture, my grandsons waved to me of futuro.’ ‘ ; ‘ ‘ The cloud loaded me asleep, beached a ship the creation, transposed the limb, when I woke up, my father, already was cu.’ ‘). In the poem of Cheap Ruy, in turn, connotations that express death are: 1) ‘ ‘ On the piano – rosas’ ‘ to the one as well as in Blues Fnebres, this poem brings the figure of the piano? a music is known that in burials and more comumente in velrios it has generally the presence of the piano, touching fnebre (they requiem). We perceive, therefore, that the proper figure of the piano as a universal symbol of velrio, and, being universal, meets in both poems denoting another universality: the death. The roses (the flowers in general, however are more recurrent the roses), as it is known, are led in velrios and burials (another universal question, although the pink figure to appear only in the poem of Cheap Ruy), as a form to homage the deceased and in respect for that they suffer. 2) ‘ ‘ ‘ touched Bach …; ‘ to it is common classic musics to be touched in velrios..