At a moment we will have, for example, the architecture determining ways of living, defining the conception of a construction. The result is an interaction between man, customs and functionality. This dialectic goes to guide, not only the function of an architecture used in the city, but still the performance of the social segments in the organization of new aesthetic standards, suggesting, or not, the necessity of ' ' profissionais' ' specific to act in the plastic production. The painting, directly on to the architecture, at a first moment, followed almost that anonymous. Canine tooth to the built icons of the official, public institutions, of the church and in the decoration of ' ' cloth of boca' ' of one or two palcos in the city, or simply in the decoration of the ceilings and estuques that they coated the masonry of some palacetes, the painting was in charge of priests, curious and self-taught that will become notables from the end of century XIX and beginning of century XX – period that I will leave to approach in the next phase to the research.
Saints. Architecture and urbanism of a city in movement. It is in century XIX, still in the colonial period, that the process of growth of the cities if fits in the foreign referenciais of the capitalist development. Not only in the economic field and its relations, but also in the incorporation of new values, daily and mentality. The new conceptions are evidentes on the polifonia of the city ahead of the urban transformations, accumulating of stocks differences in the field of the experience in the social relations, establishing new paradigms for a new way of living, to read and to generate the city. The architecture denounced the conjuncture of urbes. In the panorama of the cultural production, under the plastic optics, he was ' ' art of morar' ' that more it represented the transformation of the landscape of the city, still in a more shy chromatic scale, through the buildings and of the drawing of the urban mesh.